Instrumental floor edits
Where your discipline requires instrumental music, we build from an instrumental source rather than muting a vocal and leaving a hole where the melody was.
Gymnastics
Gymnastics Floor Music Editing
Floor music has one job: hold the routine together from salute to salute. We build instrumental floor edits cut to your routine length, with accents under the tumbling passes, clean transitions at the corners, a definite ending, and mastering that survives a hard-surfaced gym.
For gymnasts, floor coaches, choreographers and gymnastics parents.
- From CA$59
- 2 revisions included
- 7-business-day turnaround
What we do
Gymnastics edits, built to compete.
Cut to routine length
We edit to the time your level requires and confirm the target with you first, so nothing has to be re-cut the week of the meet.
Accents on the passes
Hits moved so they land under the tumbling passes, not two beats after them.
Corner transitions
Section changes placed at the corners, where the routine already resets.
Gym-ready mastering
Levels and tone set for block walls, sprung floors and high ceilings, where high frequencies scatter and low end disappears.
Examples
Hear it before you order.
Every sample below plays in place. Where we have the original as well as the finished edit, the player switches between them mid-track. Headphones make the smaller timing and mix decisions easier to hear.
What to listen for
- The melody after vocal removal The tune should still be there, not a gap where a singer used to be.
- Accents under the passes Hits arrive with the movement rather than behind it.
- Section changes at the corners Energy shifts where the routine already resets.
- A definite ending The track finishes on a hit you can land the final pose against.
Gymnastics Competition Edit
Jennifer Lopez - Let's Get Loud
Before — Original
Jennifer Lopez - Let's Get Loud
Original song, No editing and overall bad sound quality.
0:000:00
Why it matters for gymnastics
Artistic floor music is instrumental. That single rule is the biggest reason an editor who works mostly in dance hands back a floor track that has a problem before the gymnast has saluted.
01
Instrumental means instrumental
Muting a vocal is not the same as removing it. The melody usually lives in that vocal line, so silencing it leaves a hole in the arrangement. We work from an instrumental release or rebuild the line so the melody survives the removal.
02
A floor routine is short
Every second is choreographed, so there is no room for an intro that does not do anything. The edit has to start working immediately.
03
The music should mark the passes
A tumbling pass wants an accent underneath it. When the hit lands late, the pass reads as though it is fighting the track instead of riding it.
04
Corners are structural
The routine resets at each corner, which makes those the natural seams for a change in energy, tempo or section.
05
Gyms are hard, bright rooms
Sprung floors, block walls and high ceilings scatter high frequencies and swallow low end. We master for intelligibility rather than depth, so the accents still read from the far corner.
06
Rhythmic is a different rule set
Rhythmic gymnastics permits vocals, so the whole approach changes. Tell us which discipline you are editing for and we build to that rulebook.
How it works
Four steps to a finished edit.
- 1
Share Your Brief
Tell us your target length, key moments, and where you want cuts, hits, or mashups.
- 2
Engineering Pass
We lock everything to counts, tighten transitions, and balance the mix for big speakers.
- 3
Review and Revise
Listen to your edit. Want a transition shifted or a hit moved? Use your included revisions.
- 4
Final Delivery
Get your polished file, mastered for a venue PA rather than headphones, delivered in high quality in MP3 format.
Pricing
Priced by the songs in your routine.
Competition Edit
One competition-ready routine edit.
CA$59 / routine
- One song is included in the base price
- Additional songs are CA$15 each
- Tempo Change
- Precision edit to target length
- Competition-ready transitions
- Sound effects enhancements
- Arena / Stadium sound mastering
- Optional service add-ons are priced per song
- Standard turnaround: 7 business days
- Rush is available: under 3 business days (+CA$40)
- 2 revisions included with purchase
Multi-Song Competition Edit
One competition-ready routine edit built from up to 8 songs.
CA$99 / routine
- Up to 5 songs are included with purchase
- Additional songs are CA$15 each
- Final routine up to 15 minutes
- Tempo Change
- Precision edit to target length
- Competition-ready transitions
- Sound effects enhancements
- Arena / Stadium sound mastering
- Optional service add-ons are priced per song
- Standard turnaround: 14 business days
- 2 revisions included per edit
Launch pricing is currently lower than the rates above. See today’s pricing.
Questions
Gymnastics music editing, answered.
Does gymnastics floor music have to be instrumental?
For artistic gymnastics, floor music is instrumental. Muting a vocal is not a solution, because the melody usually lives in that vocal line and silencing it leaves a hole in the arrangement. We build from an instrumental release or rebuild the line so the melody survives. Rhythmic gymnastics permits vocals — confirm which rulebook applies to your level.
Can you add accents under my tumbling passes?
Yes. Tell us where the passes fall and the accents are built to land with them. This is one of the clearest differences between a cut track and an edited routine: when the music hits with the landing, the pass reads as bigger than it did in silence.
How do you edit floor music to the time limit?
By removing whole musical phrases until the arrangement lands inside your limit, rather than trimming the end to fit. Send the exact time your level requires and any tolerance either side. Check it against your current rulebook first — limits vary by level and season, and a re-cut near a meet is avoidable.
Why does floor music sound different in the gym?
Gyms are hard-surfaced and reverberant, often with a PA meant for announcements rather than music, and the floor itself adds noise. Detail that carried the track on headphones tends to disappear. The master is built for that room, which usually means more midrange presence and a firmer low end.
Questions that apply to every sport — what to send, turnaround, formats and cost — are answered in full on our answers library.
Gymnastics music editing
Start your edit
Give the routine something to ride.
Send us your music, your routine length, and where the passes and corners fall. We will build an instrumental floor edit with the accents where the gymnast needs them.