Podium Edits edits competition music for dance, figure skating and gymnastics. Every edit is made by a human editor in Vancouver, Canada — no automated trimming, no generated audio.
Co-founder & Lead Audio Engineer
Twenty years of professional audio engineering, now spent making sure a routine sounds deliberate from the first beat to the last.
Co-founder
Remixing and DJing since his teens, and the parent of a dancer and a skater who has lived the seasons these edits are made for.
Where a cut lands, which phrase goes, how a transition is built — those are musical judgements, not settings. No automated trimming, and nothing generated.
Rinks, gyms and ballrooms are large, loud and reverberant, and the frequency balance that reaches the floor is far less even than in a studio. Every edit is finished for that, which is why our work holds together on a venue PA.
Floor music is instrumental. Skating programs need a defined ending. Dance lives on the 8-count. Knowing which constraints apply to you is most of the job.
Every sample in our portfolio plays the original alongside the finished edit. If the joins did not hold up, we would not put them side by side.
Tell us your target length, key moments, and where you want cuts, hits, or mashups.
We lock everything to counts, tighten transitions, and balance the mix for big speakers.
Listen to your edit. Want a transition shifted or a hit moved? Use your included revisions.
Get your polished file, mastered for a venue PA rather than headphones, delivered in high quality in MP3 format.
Every sample plays the original beside the finished edit. Judge the joins yourself.
